Alejandra Delgado Uría’s series Fantasmagorias, of disembodied architecture of Bolivian Cholets –a mixture of the word chalet (large house) and chola (indigenous woman)– represents the Inca pacha “kay” (the center).
Alejandra Delgado Uría’s series Fantasmagorias, of disembodied architecture of Bolivian Cholets –a mixture of the word chalet (large house) and chola (indigenous woman)– represents the Inca pacha “kay” (the center).